D O R
A southern
Phoenician town in the Levant . 3
Phoenician
period:
Pietschmann
knows already in 1887, that Dor is a Phoenician town. He quotes Stephanos of
Byzantium who tells from the ‘Phoenician history of Klaudios Iolaos’, “the Phoenicians possessed the city Dor and is
also inhabited by Phoenicians.” According to Pietschmann: This is the
southernmost point of the Syrian area where surely a Phoenician settlement can
be detected.
In the 10th
century BC there is a vivid corporation between Israel
and Tyre .
Phoenician goods and commodities entered Israel through the ports of Dor and
Joppe.
The strata
of the 11th and 10th centuries BC contain fragments on
painted Cypriot pottery. Recent archaeological research has brought to light a
stretch of the city wall which includes remnants of monumental entrance gate
with rooms inside and two towers flanking it outside; the construction is of
mud bricks on a stone base.
Considering
the distinctive features of this complex, in use from the 9th to the
8th century BC, has been attributed to the Phoenicians and it is
therefore considered the only known example of Phoenician monumental
architecture from the pre-Assyrian period.
Two
deposits of votive material found in different areas of the city, but from the
same period are of some interest. One contained terracotta and stone votive
statuettes of a kind often found in sanctuaries in central Phoenicia and on the
Palestinian coast; the other contained terracotta figures of a Greek type
together with Greek pottery. (A.Ciasca in 1988).
Red
burnished pottery is from 9th-8th century abundant
present in Dor. There are three types:
-
mushroom-lipped jug;
-
trefoil-lipped jug with a long neck;
- biconical
jug.
In the 9th
century the ramparts of Dor consist of a solid massive brick wall, some 3
meters wide, reinforced at its base by a plaster-faced clay glacis and
constructed upon foundations built partly of brick and partly of stone. The
city-gate is flanked by mudbrick towers set upon a foundation of huge limestone
blocks. The walls have a regular alternation of salients and recesses.
ncfps
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